Between Punk and Baroque is my current body of work.

I begin with archetypes—traditional pottery forms such as vases and chalices, controlled and classical in their proportions. From these familiar structures, new forms emerge.

I challenge each piece to test how symmetry and stability respond to the pressures of weight and gravity. Through experimental gestures and accidents, I allow the clay to behave like a Baroque sculpture, capturing movement and the passage of time. I push these forms toward a threshold where the object becomes an artifact—imperfect, unstable, and uncertain of its own origin.

I am interested in the space between refinement and rupture, catastrophe and survival, collapse and discovery. My work inhabits the moment when inherited forms and cultural references begin to dissolve and something unfamiliar takes shape—strange, ambiguous, and beautiful in its own way.

Experiences of displacement and historical transformation have shaped my understanding of impermanence and the provisional nature of cultural and social structures. The search for identity, the integration of memory, and the processes of rebuilding and reimagining have become central to my practice.